Is it possible to include Rush in both of our March blog themes?
“Roadshow: Landscape with Drums. A concert Tour by
Motorcycle” by Neil Peart
Published in 2006
The danger of meeting people you’ve admired from afar is
that they just not like you expected them to be.
I know I would have been a puddle had Tom Seaver been
unfriendly when I finally met him at an autograph show in 1988. Seaver, in
fact, was wonderful and provided a lifetime memory and a reward for the years
of fandom.
But I was a little apprehensive when I picked up “Roadshow,”
a book by Rush drummer Neil Peart. There’s a chance I based an entire school
year of art projects on his lyrics.
The book describes how Peart brings his BMW motorcycle on
tour, taking the scenic route between gigs. He has adventures along the way,
and we learn about the many things that go into taking a popular band on the
road.
We’ve always known that Peart is a gifted writer, and the pages
turn effortlessly. What I didn’t know is that he’s kind of a quirky, prickly
person. He talks about enjoying performing, but not encountering fans. There
are many tales of fans interrupting his privacy for this or that. If
encountered in public, he wants a simple “Thank you for the music,” and then to
be left alone.
Good to know, and that’s certainly his right. It explains
the “Limelight” lyrics. But it doesn’t necessarily make for enjoyable reading,
as it comes up a lot.
What I did really enjoy is when the focus shifted to the
concerts, and some of the people and activities that take place behind the curtain.
I especially liked hearing about what the musicians call “magic shows” – when everything
is just perfect.
Here’s a passage talking about the phenomena:
“That night in San Antonio, even when I sat down at the practice
kit for my seven o’clock warm up, I could feel it – what baseball pitchers call
their ‘stuff.’ Hands and feet worked smoothly together like they wanted to,
sticks and beaters struck clean and true and everything I played flowed out
with controlled fire.
“I had my stuff, and the stars and planets must have been
aligned, too. The show poured out of us like a force of nature, sweeping out in
waves from the stage and the lights and the speaker cabinets, ebbing and
flowing over a cheering, smiling, delighted crowd. We were all locked together
in a long, timeless moment of sublime pleasure, and as song after song played
out into the ether, I felt energized and ever more determined to make this the
one.”
Pretty cool, right?
As you know from the R40 Countdown
posts, Will and I are headed to see Rush
in Chicago in June, and I’ll be looking for signs of magic. But we'll keep our distance from Neil, offering a wave and a "Thank you -- very much -- for the music" if we see him on the BMW.
Your reading list so far:
March 17: "Destiny of the Republic" by Candice Millard
March 11: "Street Gang" by Michael Davis
March 10: "Topps Baseball Cards, the Complete Picture Collection"
March 9: "Dodger Dogs to Fenway Franks" by Bob Wood
March 8: "The Rise of Theodore Roosevelt" by Edmund Morris
March 11: "Street Gang" by Michael Davis
March 10: "Topps Baseball Cards, the Complete Picture Collection"
March 9: "Dodger Dogs to Fenway Franks" by Bob Wood
March 8: "The Rise of Theodore Roosevelt" by Edmund Morris
March 7: "The New York Mets" by Leonard Koppett
March 6: "Mary Lou" by Mary Lou Retton and Bela Karolyi
March 5: "Baseball Uniforms of the 20th Century" by Marc OkkenonMarch 6: "Mary Lou" by Mary Lou Retton and Bela Karolyi
March 4: "Clemente! The Enduring Legacy" by Kal Wagenheim
March 3: "Mets by the Numbers" by Jon Springer and Matthew Silverman
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