We're moving into the top quarter of our R40 Countdown and the epic Rush concert in Chicago is getting closer! Both Will and I are recalling how a particular Rush release instantly transports us to a special time and place.
No. 5 Power Windows
Released 1985
Highlights: “Grand Designs,” “Emotion
Detector.”
Relatively least-glorious moment:
“Territories.”
Cool Neil Peart lyrical moment:
“Like a
righteous inspiration
Overlooked
in haste
Like a
teardrop in the ocean
A
diamond in the waste
Some
world-views are spacious –
And
some are merely spaced”
--- Grand Designs
Power Windows always will bring back memories
of my days at University of Missouri.
Going to school halfway across the country
forced a great disruption in my music-listening habits. I flew back and forth
to Columbia, meaning my extensive record collection wasn’t coming with me.
I had a modest boom box with a cassette
player, so I made greatest hits mix tapes of my favorite bands and brought the
essential tapes of Twisted Sister concerts that were broadcast on the radio.
 |
| The sparsely decorated Room 4, Cramer Hall. |
And speaking of radio, I was separated from
the New York radio stations that made for the soundtrack for my daily routines, replaced with strangers with call letters starting with a "K."
We’re talking about a major cultural
adjustment here. And that’s not even counting being surrounded by Cardinals
fans at a time when the Mets were the team’s main rivals.
So, I learned about the Cardinals and the
amazing Arch in St. Louis. I discovered culinary adventures like corn dogs and
biscuits and gravy. And I learned about
new and different music, like Purple Rain-era Prince and the Pretenders.
I liked these new things – even some of the
Prince stuff -- but never let go of my roots.
And Rush, of course, was one of the things I
wasn’t letting go of. The dorm room had a Moving Pictures poster along with the
New York skyline and Mets posters.
So Power Windows will forever remind me of an
important time.
Playing the CD recently, I was struck that
the keyboards certainly harken back to the 1980s – and I like 1980s music – but
is still sounds fresh. These are good songs. There’s no denying the synths are
there, but they augment instead of overwhelm.
And the band seems to like Power Windows, too,
considering that all but one of the songs has been played live and a number of
them are played often.
There was much rejoicing when I discovered
“Grand Designs” – my fave cut – was dusted off for the last tour, which makes
me hopeful that “Emotion Detector” – my second favorite – will finally get the
concert airing it deserves.
"Grand Designs" is awesome live!
Since its Rush, we’re dealing with some big
topics and the album’s theme is the use of power in its many manifestations, from the dawn of
the atomic age to wielding financial clout.
Top to bottom, there’s not a bad song on the
album. “Territories” was listed above as the least glorious moment, but it’s
still a very good song.
I’m sure the album also benefits from coming
out in the cassette era where each song was listened to and studied
intently. I know them all well.
So when “Big Money” or “Mystic Rhythms” come
over the speakers, I’m instantly transported back to walking around campus with
my Walkman.
And Will jumps in:
No. 5: Roll the Bones
Released 1991
Roll the Bones was
released at a time when my Rush rediscovery was at a peak, and like with Dave
and Power Windows, it definitely takes me back to a specific time--late 1991 to
early 1992, when I saw Rush live three times. It was a time of baseball cards, baseball
card columns, sports at the Flint Journal and when I made what at the time was
a shocking discovery.
Unlike Dave, I grew up
in a mid-market metroplex, and I couldn't wait to leave. Columbus in my youth
was a city that rolled up the sidewalk at 5--even though it was a state capitol
and had a major university at its hub. I wasn't an Ohio State fan, not like
everyone else, and sometime just as I was entering my teens, OSU stopped
holding concerts at St. John Arena, so no one who was big and current came to
Columbus.
Unlike my friends, who
all went to OSU, I went away to college. I was free. I discovered Chicago and
wanted to live there at some point, but life got in the way, so I found myself
in Flint, but I'd met Dave by this time and we were like a couple of
10-year-olds whose moms had given them the green light to ride their bikes to
the pharmacy ... just so long as you're home by dinner!
I was loving working
in sports; it was a good time, but ... I felt this longing, a longing that Rush
was able to articulate all too well. I mean, "Dreamline," like
"Subdivisions" a decade earlier, seemed to be written entirely for my
benefit. Then there was "Bravado" and "Neurotica" and
"Ghost of a Chance." All of these great songs were hitting me just at
the right time.
In the fall of 1991,
just after I saw Rush twice in the span of a week--once with Dave at the
Palace, once in Cleveland with my father--I went home to Columbus for a number
of reasons. Once was one of my best high-school friend's wedding. The next was
for a vacation. I'd decided I didn't want to take another solo vacation, so
what to do? Just go home and hang out with my old friends.
It was an eye-opening
experience. Now that was an adult, well, of adult age, I found that Columbus
held charms that hadn't been fully appreciated--mostly a far larger pool of
prospective women than Flint could ever afford ... unless, of course, I wanted
to grab one off the pole.
Columbus also had changed a bit since I'd been there. In the time since I'd been gone, it had turned into something of a burgeoning culinary town. German Village was thriving. And I had a big circle of friends there. I remember sitting at the table during a poker party thinking, you know ... I could move back here.
Columbus also had changed a bit since I'd been there. In the time since I'd been gone, it had turned into something of a burgeoning culinary town. German Village was thriving. And I had a big circle of friends there. I remember sitting at the table during a poker party thinking, you know ... I could move back here.
Like I said, that was
a shocking development for someone who a decade earlier couldn't wait to get
out and never look back. Things change. I began to make it my goal to get a job
at the Columbus newspaper--a goal that eventually was achieved.
Becoming
an OSU fan again? Well, that would take a little longer.
Your countdown so far:
No. 11: 2112 (Both of us)
No. 16: Vapor Trails (Both of us)
No. 18: Feedback (Dave), Rush (Will)
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